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William’s World: Why Don’t You Joyn Us?

This post was written by Steve Samuel, a new volunteer interpreter in the Pennsbury Manor Joyner’s Shop!   He thought many people, like himself, wouldn’t know the difference between a Joyner and all the other woodworking trades, so he did some research…

THE WOODWORKING TRADES

Figure depicted in "The Joiner II," Denis Diderot, 1751

During Manor tours, it is not unusual for visitors as well as the occasional tour guide to stand in front of the Joyner’s Shop, and refer to the joyners as “carpenters”.  Historically, however, professional joyners distinguished themselves from carpenters as matters of both business and pride.

Dating to the mid-1400s, furniture making was overseen by the Guild of Master Carpenters, who subcontracted work to joyners, inlayers, turners, etc.  These specialists began forming their own companies (guilds) in the 16th and 17th centuries.  Each specified its distinct form of woodworking to make sure that others were not infringing on their trades.  They defined who could practice the trade, and who could not, not unlike our present-day labor unions.  In 1563, the Great Statute of Artificers established that the apprenticeship for a joyner would be 7 years.  The Faculty of Joyners and Ceilers or Carvers of London” received its charter in 1570.  Members were expected to adhere to regulations and quality standards, and could be fined for substandard work.

The Joiner I, Denis Diderot, 1751

In general, carpenters were mainly responsible for structural work.  They also made nailed, or “boarded” furniture.  They tended to work on-site.  Joyners, in contrast, joined pieces of wood together, using the mortise and tenon joint as the basis for construction of furniture, wainscoting and other fixed woodwork and paneling.  Much of the joyner’s work was performed in his shop, alone or with 1-2 apprentices.  In England and the early American colonies, the joyners were the true craftsmen of household furniture.  

Come by Pennsbury Manor next Sunday, May 6 from 1:00-4:00 to see our Joyners working in their shop.  Blacksmithing and Sheep-Shearing will also be happening around the site.

 For Further Reading:

Chinnery, Victor  Oak Furniture, The British Tradition (1979)

 Fitzgerald, Oscar  Four Centuries of American Furniture  (1995)

 Humphrey, Nick  Furniture and woodwork in Tudor England:  native practices, methods, materials and context   Furniture, Textiles and Fashion Department, Victoria and Albert Museum, London 

 

William’s World: Ode to the Springtime Milkmaid!

 

The Milkmaid, Jan Vermeer, 1657-8

I really don’t like to milk cows.  I can’t stand to churn butter.  I know this is a shocking admission from a so-called history geek, but it’s true.  So each spring I breathe a grateful sigh of relief that I can buy my milk and butter in containers at the grocery store!

I wonder how the milk-maids of Pennsbury Manor felt about these chores in the 1680s.  We don’t know their names, but we know they were here and that they were making butter:  in 1684, William Penn suggested that James Harrison’s wife, Ann, supervise the maids in the dairy;  the 1687 inventory includes churns and other butter-making equipment as well as 6 cows; there is strong evidence that a cow pen existed near the stable.  We also know, given the exhausting nature of their work, that dairy maids had to be strong and sturdy to pump away at that churn!

"The Merry Milk Maid," Marcellus Laroon, late 17th-century.

Dairy products were an important part of the diet of people in Penn’s time with butter in particular being used liberally in many recipes.  Butter was also preserved in crocks for later use, and even used as a preservative itself as it could create an airtight seal on crocks.  And of course it could be sold at market, usually by the women who made the butter.  Although buttermilk (the liquid resulting from butter production) could be turned into curds and whey for the household, “the best use of buttermilk for the able housewife is charitably to bestow it on the poor neighbours, whose wants do daily cry out for sustenance.” (Gervase Markham, The English Housewife, 1615)  Who wouldn’t want to do this after being promised that “she shall find the profit thereof in a divine place?”  Heaven for buttermilk?  What a deal!

May was the peak of butter production.  Housewives were advised to breed their cows to calve between March and April when the grass is nearly or at its richest.  The resulting milk made the best butter.  Later on in the year as the grass passed its prime (July), butter production was replaced by cheese-making – another lucrative product for households. 

engraved frontispiece of "Dictionarium Domesticum," Nathan Bailey, 1736

By 1701, the dairying equipment had disappeared from the inventory of Pennsbury Manor.  William Penn’s account books have numerous entries for purchases of butter from local young women.  Was butter not produced at Pennsbury any longer?  Or did the demands of the Penn family and guests exceed production on the site?  I am inclined to believe the latter as Penn still desired a dairy and a milk house.  Making butter was an integral chore of an estate; it would be highly unlikely that there was no dairying at all taking place.

Pennsbury will have a milking cow demonstration on April 29, and a dairying demonstration on June 17.  Both programs will take place between 1:00-4:00.  Don’t look for me to be milking or churning! 

 By Mary Ellyn Kunz, Museum Educator and Former Milkmaid

Men’s Relationship to Fashion

I wanted to share an article I just read on another popular blog site called Two Nerdy History Girls.  Every so often, they post something related to late 17th-century culture.  Their most recent article, More Fashions for the Gentlemen: 1700 vs. 1800,  compares how men dressed and behaved fashionably in two different centuries. 

The article, which you can visit at the link above, includes a wonderful engraving comparing men’s fashion trends in 1700 and 1800!  In today’s culture, there is a widespread idea that fashion is inherently feminine, and that men generally do not want to follow or practice fashion (although this is completely untrue, as guys follow trends just as much as the ladies).  This image illustrates several important fashion differences – the article discusses how their behavior, posture, attention to detail, and accessories change based on what was considered fashionable!

Click on the image to enlarge, and see if you can pick out what’s different!  Feel free to share your observations in the comments.  Thanks to the Two Nerdy History Girls and their interesting articles!

Hannah Howard, Volunteer Coordinator & Costumier

Exploring the Artifacts: Take Your Mattress and Stuff It!

Those of you that have walked the grounds of Pennsbury may have seen a building called The Worker’s Cottage.  This reconstructed outbuilding’s original purpose or even existence is unknown, but we use it to talk about the laboring class’s lifestyle in early colonial Pennsylvania. Most people did not live as luxuriously as William Penn’s family.  Most homeowners, or people who worked as an apprentice or slave for a homeowner, lived in a 1-2 room house similar to this. 

Today we are exploring one of the biggest features in this cottage:  The Bed. This is technically not an artifact, but a reproduction, an exact replica of a historic object.  Reproductions are used in many historic sites to fill the gaps in our artifact collections.  The originals may be hard to find or too delicate to handle with visitors, so reproductions are a nice substitute that interpreters and visitors can interact with!

Raised beds would have been a luxury for many families, reserved for the master and mistress of the house. Children, servants, and slaves would have slept on mattresses on the floor.  Our bed is a reproduction that we use to interact with visitors.  But the old roping and mattress were looking extremely worn out from all the fun we’ve been having.  So it was time for a make-over! 

We started with the roped frame, creating an interlocking bottom similar to basket weaving.  The tool pictured here is called a Key, and is used to pull the ropes tight. Stretching the ropes as tight as possible, then tying them off would keep a firm foundation for the mattress.  Still, ropes stretch with use, and would need occasional tightening to ensure the occupants don’t fall through in the middle of the night!

Once the bed is tightly roped, it’s time to add a mattress.  Whenever possible, colonists would use feather down to stuff their bed.  But those without the money or means could always use straw. A sturdy, tightly woven linen ticking (cotton would become more accessible and affordable later in the 18th Century) made a great casing for the straw and prevented any irritating stalks from poking through.  Just like today’s pillows, they were sewn on three sides, flipped inside-out and stuffed fully, then sewn closed.  Over time the straw would break down, so the mattress could be reopened and emptied, then stuffed with new straw. 

To see an example of how to stuff a 17th-century mattress, check out this clip of the BBC series Tales of the Green Valley, which documents a year in the life of a 17th-century farm:http://www.dailymotion.com/video/xqpvax_e8-tales-from-the-green-valley_lifestyle&start=815 .  This is an amazing series which I wish was available to purchase in the US.  However, all the episodes are available on YouTube and I highly encourage you to watch – once I started, I couldn’t stop.

In addition to the mattress, well-stuffed pillows and bed covers are also important.  Many people preferred sleeping propped-up, which explains why some beds may seem short to modern eyes (there was not a big difference in height, contrary to popular myth).  Depending on the weather, you might have many layers of sheets and blankets piled on top.  We have one light blanket of a wonderfully scratchy blue wool, but others could certainly be added.

We are so pleased with the way our 17th-century bed turned out – please check out the finished product below!  Continue reading “Exploring the Artifacts: Take Your Mattress and Stuff It!”

Confessions of a Costumier: Men’s Dressing Guide!

Our Ladies’ Dressing Guide post back in September has been the most viewed featurette on this blog -wow!!  I am really excited to finally be able to offer a follow-up for the guys… our clothing collection for the male interpreters is starting to grow, and I encourage our volunteers start using some of the new pieces this spring!  Keep in mind that people’s jobs and station in life would change how they dressed (see our post on Clothing Diversity), but this will give a good idea of a basic outfit.  

Continue reading “Confessions of a Costumier: Men’s Dressing Guide!”

Confessions of a Costumier: Clothing Diversity

It is so easy to get caught up in creating the ULTIMATE historical ensemble.  We worry about perfecting every detail, down to the smallest buttons and buckles. When costumiers get so caught up in recreating one outfit, it’s easy to forget just how diverse the clothing options actually were!  We can’t just recreate one look (as we have done here) and think it will work for all people of all levels in society.  Think about the modern world – we can tell a lot about a person’s job or life based on their clothing.  Business men and women dress differently than artists or plumbers or teachers or politicians or… well, you get the picture. 

So it’s our job as historians to research how those same clothing differences played out 300 years ago.  We are developing job-specific costumes for the staff and volunteer interpreters recreating circa 1700 Pennsbury Manor, and working to increase our clothing collection with enough sizes to outfit everyone in the garments they need.  Over the next few months, I’ll be posting in-depth tutorials for the different ensembles, but in the meantime I wanted to give you a sneak peak at our work…. enjoy!!

LEFT TO RIGHT: Gardener/Stablehand (Summer); Basic Tradesmen/Estate Worker or Gardener/Stablehand (Winter); Supervising Tradesmen or Estate Caretakers/Visiting Businessmen
LEFT TO RIGHT: Gardener/Stablehand/Cook (Extreme Heat Only - Otherwise with Short Gown worn also); Basic Craftswomen/Estate Workers; House Caretakers/Visiting Women

by Hannah Howard, Volunteer Coordinator

Confessions of a Costumier: Ladies’ Dressing Guide!

Many of you may not realize how much time and research goes into crafting the historical outfits worn by our Pennsbury Manor Interpreters.  These reproductions are all based on original artifacts, paintings, and sketches in order to honor the people whose stories we tell.  It’s a constant evolution, but we are working very hard to make sure each item (down to your pins and socks!) are as close as we can get to 17th-century originals. In many cases, we try to copy the same styles and silhouettes as real 17th-century people, as we have done here with this 1687 London strawberry seller:

 

Continue reading “Confessions of a Costumier: Ladies’ Dressing Guide!”

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